Bringing light through the Blackout writing competition

by Ikhide R. Ikheloa

The Nigerian fiction writing scene is no longer quiet; it is enjoying a raucous renaissance and we have the energy and creativity of young Nigerian writers to thank for it. For the past decade, we have just Chimamanda Ngozi Adichie, Helon Habila and Chika Unigwe and a few others to brag about. The good news is that new voices like Chigozie Obioma and Chinelo Okparanta, Elnathan John, A. Igoni Barret, Abubakar Adam Ibrahim, and several others have emerged to literally rock the literary house. Still, for a country of over 170 million people, this is not nearly enough. 

 Nigeria needs lots of resources and robust structures to encourage its creative writing industry. What do we have? How many MFAs? How many noteworthy publishing houses. How many noteworthy contests for upcoming writers? Apart from Farafina and Ebedi, what other consistent live-in workshops are there? My point is this: Nigeria needs more structures. We need a more enabling environment for our writing. We need to rid our culture of the poor-writers-who-scramble-for-every-20k-crumbs attitude. We need to give writing the dignity it deserves in this part of the world. We need The Flash7: Blackout. 

 Yes, we need the Flash7: Blackout. What is blackout, you ask? It is an exciting initiative of the writer Hymar David, one of many brilliant young writers that have turned Facebook and Twitter into an infinite literary canvas that is giving traditional writing serious competition. 

The Flash began as a series of Facebook-based writing duels of Flash Fiction between two writers with the reading public as judges: Samuel Okopi and Enobong Odohofreh. Hymar David, however, took the idea and turned it into a certain movement that has spread through Facebook like a virus. Literally. 
 

The Flash7: Blackout, featuring 24 writers in 6 groups, is the second of its kind after the Flash: Eclipse which had 16 writers in 4 groups going one on one for a N30,000 reward. However, with the support of Dufil Groups, the makers of Indomie noodles, and Lenovo, Nigeria’s foremost laptop and smartphone manufacturers, the Flash has grown in one giant leap. 

Blackout is offering a grand prize of N100,000 naira plus a Lenovo laptop to the eventual winner; N50,000 plus a Lenovo smartphone to the runner-up and N15,000 each to the last 2 semi-finalists. It is so far the biggest individually-run writing competition in Nigeria. And stands its own next to The Etisalat Prize and the NLNG prize. I am beyond thrilled.
 

The Flash7: Blackout is well organised. The contestants are picked via a process that involved stories sent in (after a call for submissions) sorted and sent anonymously (without the writers’ names appended) to four judges who filter through and pick the final 24 stories.

 The Facebook reading public is often fond of praise-singing, applauding poorly written efforts and giving writers a false sense of accomplishment. During the Blackout, each matchup will be judged not just by votes but by three judges whose votes carry more weight than the public votes. For instance, 10 public votes are worth 3 points while a single judge’s vote is worth 12 points. Soliciting for votes is prohibited. Contestants are fined 5 points for that. Just write (based on given themes with word limits attached) and let everyone assess your worth, the organizers seem to be saying. 

I cannot say it enough: Kudos to Hymar David and his crew who are taking Facebook writing, and social media writing in general to another awesome level. 

 Credit must also go to Lenovo and Dufil Groups for their involvement in this noble endeavor; helping grow a youthful literary sphere full of groping brilliant hands and minds. It is my hope that The Flash will keep expanding to become a major player in the Nigerian literary landscape. It is a new world and it is a good time to be alive if you are a reader.

As the flash starts on Saturday, 9th January 2016, like the Facebook page: The Flash: Challenge to follow up on this generation of new writers, writing their way out of Nigeria’s glorious literary past into a new dawn of fun and innovative writing. I salute Hymar David and his fellow warriors.